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New Year's Eve, 1976: Beneath the Marquee at Midnight, in a '68 Pontiac

12/28/2016

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PictureFireworks in New York City's harbor.
Work will begin soon to replace the original leaky marquee of the St. George Theatre —a marquee that leaked forty years ago in 1976, when a band of enthusiasts, myself included, ran the 2672-seat St. George as a third-run movie palace. The rusting marquee will soon come down, and a state-of-the-art electronic one will rise — it’s about time. Since the seventies — when we projected real film, via two Carbon Arc projectors, onto a giant stained movie screen — lots of other things have come and gone. Case in point, you can watch anything  (Lawrence of Arabia, Casablanca) on just about any surface imaginable now: a flatscreen at home, your ipad, an Android, an iphone. Gone are technologies not yet or barely begun in 1976: VCRs, movie rentals, DVDs purchased or delivered (replaced by HULU and HBO-GO, for less than the price of an adult ticket at any surviving theater). With social media dominating much of the rest of our time, it’s a wonder there are theaters at all.

Which leads me to Facebook, which, in its well-intentioned way, suggested recently that I friend one Paul Plonski, an aircraft engineer and former Staten Islander — an odd bit of serendipity, since, for the last two New Years, I’ve reprised a chunk of an email Paul (we called him Paulie back then) wrote me, a memory of New Years Eve, Dec. 31, 1976. He worked the candy stand as a teenager, while I froze at the box office, waiting to see if anyone would come through the theater’s red and gold doors that preternaturally cold night. After the last show, we darkened the house, closed down the box office and locked the concession stand door, threw the giant breakers to power down the marquee, bolted the glass doors and wished everybody well in the coming new year, 1977.  Paulie jumped into his car, parked just below the marquee, and a few of us straggled up the hill towards home.

Here’s Paulie:

...We had a late show at the St. George. You and Dean made sure to get us out of the theater before midnight so we could make it home in time.

My ‘68 Pontiac Firebird was parked on Hyatt Street, right in front of the theater. At around 11:30 I got in, started the car, but could not get it into gear. So...at midnight I was on the hill, waiting for a tow truck, the cold wind blowing. I was freezing.

 Quiet, except for the wind. Then at the stroke of midnight, the ships in the harbor sounded their whistles and shot off fireworks. It was just me, the wind and the ships with the NYC skyline, a night to cherish forever.
 PS: The New Years party was still raging when I made it home (nothing missed).

 
Privation, exhilaration. These fit my overall experience of running the theater in 1976 and the first few months of 1977. It was going to be a cold cold winter; we’d be out, broke, by spring. But the theater, while it lasted, was itself a kind of fireworks, a lit spark I try to keep going, in these blog posts. Thanks again, Paulie!

Peace in the New Year everybody. 


Picture
​Flashback Forty Years
December 31, 1976

In Search of Noah’s Ark:
See it on the giant screen!
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    Victoria Hallerman

    Author

    Victoria Hallerman is a poet and writer, the author of the upcoming memoir, Starts Wednesday: A Day in the Life of a Movie Palace, based on her experience as a movie palace manager of the St. George Theatre, Staten Island, 1976. As she prepares her book manuscript for publication, she shares early aspects of theater management, including the pleasures and pain of entrepreneurship. This blog is for anyone who enjoys old movie theaters, especially for those who love the palaces as they once were. And a salute to those passionate activists who continue to save and revive the old houses, including the St. George Theatre itself. This blog is updated every Wednesday, the day film always arrived to start the movie theater week.

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